Facebook Page: Timeline
31 Mar 2012 Leave a Comment
in beads, canes, classes / tutorials, Fimo, memorials, nail art Tags: Facebook Timeline
I gotta think out loud.
What I mean to say is, that I tend to think better when I can get it down on virtual paper, or talk it over with a friend. Okay, hundreds of friends, in the case of this post. But you get the idea. And right now I’m thinking about the fact that I’ve procrastinated — drug my feet — on dealing with the new Timeline format for my Facebook business page. I personally don’t like the Timeline. So happily in denial, I ignored the coming change-over until the fait accompli had happened.
Dun-dun-dun…..
Today is the first day of the rest of your……facebook business life. Right.
So what I’m up against here is the fact that I’m one gal who has three distinct businesses under a single label. How do you make one facebook page that “covers” the spectrum?
The answer… I think…. is that you don’t.
This morning I started doing some reading on the new Timeline layout, to find out what the marketing guru-ru-rus advise. They said things like making a clear, emotionally appealing statement with your cover photo and the first 140 characters of your “about” section.
Hmmm….. how to sum up C. A. Therien Polymer Clay Arts in an 851-x-351 photo and 140 characters. Yeah, not gonna happen. If I tried to put all 3 divisions under one Facebook cover, it’s gonna dilute them all to the point of confusion. I know this for sure because I have one main website that tries to funnel customers to all 3 divisions, and I occasionally get the eyebrow-raised question from customers. If you follow the “100 rule” — for each person who takes the time to mention their confusion, there are 100 who thought the same thing but never made a comment — then you know you’ve got a slight problem. People coming to my facebook page for Fimo Nail Art aren’t going to be interested in Memorial Beads. And the Memorial Beads customers aren’t going to be interested in cane layering tutorials. Etcetera, etcetera, ad infinitum.
So that means I’ve got to have 3 facebook pages in order to have them be effective for reaching the customers they serve. I’m not happy about adding extra work on my plate, but reality is what it is, and I should have made this decision a long time ago. I gotta put my big girl panties on and deal with it.
*Deep breath* Alright then. To work.
I’ve already got the one main facebook page — somewhat sorely neglected, but not abandoned — which has the C. A. Therien label to it. I’ll probably use that one for my tutorials, videos, etsy cane shop and ebay store.
Then I’ll open a facebook page for Memorial Beads’ website and etsy shop, and Brides & Bracelets’ website-in-progress (two sides of the same coin, floral remembrance keepsakes).
And finally open a facebook page for Fimo Nail Art.
I’ve got galleries for all three, enough to fill a decent album or two. And I’ll link the three pages together somehow… That’s going to be a bit of a challenge, but it’s not the main one. The main one is that the new pages will have no Facebook histories attached to them, and I’ll want to explain that a bit. Or not. But probably will.
…..Later that day…..
Allen’s Corner Shelf
30 Mar 2012 1 Comment
in classes / tutorials, Family Tags: Allen, copper shelf, solder and wire

Allen on his 50th birthday, with our son, Steve. Fake mustaches were a party favor everyone was wearing, in Allen's honor.
My hubby is absolutely amazing. He’s really getting into this whole working-with-copper thing. Ever since he started experimenting with making crowns and ear cuffs for the Renaissance Faire last year, he’s been pushing his own boundaries with metal and solder. I’m excited about all the learning he’s doing, and experimenting along the way.
So when the girls (Margo and Heather) decided they were going to remodel our very-sixties half-bath downstairs, Allen decided to construct some copper-and-wood wall shelving that would go in the corner over the toilet.
The corner shelving unit is made with 6-gauge copper wire and has these three open waves, which have brackets that the shelves are screwed onto. The waves were soldered to a central undulating pair of wires, and the whole thing has this sensual beauty to it. He cut and stained the shelves, which came out surprisingly beautiful for scrap pine. I love how he used his router to give the edges a nice scallop.
We initially had a hard time finding knick-nacks that were small enough that they didn’t overpower the shelves and still left much of the construction visible. A few collected shells, some polymer clay-covered tea-light candle holders, and my new faux stained glass egg where just right to display here.
Bonny Buttons!
10 Feb 2011 1 Comment
Lisa Clarke of Polka Dot Cottage has started a new tutorial series on her blog, called BBC: Beginner Button Class. I wanted to put a plug for the first installment in the series, because the instructions and photographs for this tutorial are EXCELLENT. And I’m not saying that just because I think Lisa is cute and adorable and writes well, either. (No, she didn’t pay me for this… she doesn’t even know I’m writing it.)
If you sew – or if you’ve ever lost a button and were frustrated with not being able to find a matching replacement – how about making some of your own? Making your own buttons is fun, and can be really easy to get started. They’re machine-washable and dryable (depending on what bits of this and that you include IN the buttons, and what finish techniques you use ON the buttons). But you could always use button pins or make button covers, if you have any concern about washing your button beauties.
I’ve got a shirt that I took all the plain, white buttons off of it, and put some square kaleidoscope buttons on, instead. Washed and dried hundreds of times and the buttons still look brand new. So I know from personal experience that what Lisa’s going to teach you is GOOD STUFF.
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On a completely unrelated note… I’ve broken my web shops. Again. I was performing an upgrade and somewhere along the line it went all horribly wrong. I’ve got a note off to Lyonshost - my absolutely fabulous web hosting team – whom I know will shake their heads and then go fix my mess. These guys understand artists – and that makes a huge difference. Let you know when things are back up and running.
Sutton Slice
08 Feb 2011 6 Comments
in beads, classes / tutorials, Fimo
The Sutton Slice is an interesting polymer clay technique, where soft bits of clay are pushed into the recesses of a deeply etched rubber stamp, until all the recessed areas are filled to the rim with clay. A sheet of clay is pressed onto the stamp to adhere the sheet to the clay pressed into the recesses, and when the stamp is peeled away from the clay sheet, the recessed areas now become raised areas on the sheet of clay.
Lisa Pavelka’s video on how to do the Sutton Slice shows her method for doing the technique, and I recommend viewing the video a couple of times, just so you can see some of the nuances of doing it. She also has a step-by-step tutorial on HGTV.com, but of the two I prefer the video, both for it’s clarity and for the way the rubber stamp is peeled off the clay – in my opinion, this method works the best.
My local polymer clay guild met this past Saturday, and we all worked on projects with the Sutton Slice. Here are some highlights:
Ann creates and sells hand-felted mug warmers. She attaches handmade buttons to the felt, and says her customers love that little detail. Here are some Sutton Slice buttons she made at the guild meeting.
Pam made an assortment of jewelry pieces with the Sutton Slice technique. I really like the one in the middle; she was using a faux abalone mokume gane cane (if you don’t know what that is, it’s a stack of layered sheets of clay that are very translucent, interspersed with sheets of metallic foil. You can see a good tutorial on this technique in Carol Blackburn’s book, “Making Polymer Clay Beads“.)
Silly me, I didn’t want to show these pieces until I was completely done with them. But that was just my pride talking, so posting this picture is somewhat humbling. I’ll try to explain what these things are, because they do look confusing, don’t they!
Starting with the round ones: those are going to be buttons on a blouse I’m planning to make. They match the half-circles, which will be earrings. And yes, they look just like giraffe print!
Which wasn’t on purpose, at all (don’t ya just love happy accidents?). I was playing with a Texture Gallery rubber stamp I’d gotten at Hobby Lobby. I filled the stamp with dark brown clay, then used a light sandy color for the “background” behind the raised “spots”. Looks totally realistic on the randomness of a giraffe print, and I was really excited with the result.
The teardrop shapes are going to be earrings – with the rounded part at the bottom of the earring and the pointed part at the top. I used a “bubbles” unmounted rubber stamp for these, making one pair black and white for my daughter (shhhh… don’t tell Margo! It’s a surprise), and the purple and white pair for myself.
All of these pieces will be getting a very thin clay border around the edge, so that I can fill the recessed areas with resin. It will create an interesting effect – clear, glossy, dimensional recessions with matte, textured raised areas. I hope I like these when they’re done – and of course, I’ll share pictures.
Vans, Vistas, and Villages
09 Aug 2010 1 Comment
in church, classes / tutorials, Family, Fimo
It’s hard to summarize two weeks in a foreign country, distilling people and places down to a single post. I just finished editing pictures, trying to comb through them, and only upload (or borrow) the best ones. In the images, I keep seeing things which remind me of something that happened that we hadn’t gotten a picture of. Still other photos are of moments I didn’t realize we’d captured, and which are precious beyond words to me.
I’d thought about posting my trip as a travelogue, giving details of each day in a new post, for a total of a dozen posts on the subject. But there was so much, and I didn’t want to have people lose interest in my blog because it was all about Mexico. I’m home, life has to move along, and so does this blog.
With that in mind, I’m encapsulating everything into highlights — which will still be a lot to read and view, I know. If you’ve been reading this far, my guess is you’re interested in how my trip went. If you just want to skip the words and go to the pictures… scroll all the way to the end of this post. If you’re not here to read about my trip… don’t worry. The next post will be about the apocalyptic state of my clay studio. Oh, wait. Actually, I take that back; the next post will be about my son’s wedding, which was July 23rd! I haven’t edited those photos yet.
So, back to Mexico…
Certain things stand out about the beginning of the trip. Humorous things, for example, like being told that we were approaching the end of the town, and there are no bathrooms for the next twelve hours, so we might want to stop at this gas station. Say what??!! Twelve whole hours? Nobody said anything about no bathrooms. That part wasn’t in the trip description, as I recall…
In fact, to put it delicately, restroom facilities were nonexistent during our day trips to the villages on our list. We quickly learned to treat those outings much like primitive camping, bringing everything with us including food, water, and toiletries. Most of the time, if restrooms were available, there was no toilet paper, (though you could buy it by the roll inside the station). So we quickly learned to always have some of our own handy. Also, here’s a helpful hint if you travel to the region: the nature of their sewage system requires that nothing but bodily waste gets flushed, so toilet paper goes in the trash can, which was a hard thing to remember coming from an American perspective.
The geography of the area is very mountainous, and most of the roads are rutted dirt. They usually go one of two ways: up a mountain, or down a mountain. Well, there is also zigzagging along the cliffs. All of which are done on one-lane dirt roads. More than once did we find ourselves on a switchback, cliffs to our right and a sheer drop-off to our left, with a large truck heading toward us from the opposite direction.
Our host took it in stride, and so did the other driver –each of them with a smile, reaching out their driver-side windows to pull the rear view mirrors in close, so they wouldn’t hit one another and rip the mirror off. We estimated the passing distance to be approximately five inches between vehicles, after the mirror was pulled in. The people in the other vehicle would smile and wave as they passed us, surely enjoying our stunned expressions.
We were puzzled to find sets of speed bumps out in the middle of nowhere, seemingly placed at random along the few paved roads that headed toward the next mountain. After talking among ourselves to see if we could find out why they were there, we asked our host, who told us they were there because of the cows.
Wait, because of the cows?
Yes, that’s right. The area has many small cattle ranches, and the roads aren’t usually lined with fences like they are in the US. The speed bumps had to be put in because of accidents involving fast moving cars and slow moving cattle, especially at night where there are typically no street lights.
So while we were bumping along in our 14-passenger van, our host would frequently need to motivate a cow or two out of our way, by honking the horn and persistently moving forward. Most of the time, the cows got the idea and got off the road.
In once incident, though, a rather matronly Bessie decided she’d let us know how she felt about being forced to move out of our way. Her rump adjusted a mere six inches, and she refused to go any further. Fortunately there was enough room to pass by her, but we could have easily touched her back had the windows of the van been open.
Some of the villages have just recently been given electricity, especially up in the mountains. So you may find a home made of mud brick, roofed with corrugated aluminum that is held down with rocks, but having television antennae sticking out from the corner of the building. The visual juxtaposition was startling, especially when seeing their children had no shoes, their clothes were torn and dirty, and they desperately needed dental care.
Speaking of children… On any of the main busy street corners, you can find a variety of pan handlers and window washers. Young men and women clamber up onto the hot hood of your car, seemingly immune to the engine’s heat, squirt a window-washing solution onto your windshield with a pull-top bottle, and wipe it down with a squeegee — all in the time it takes for the light to turn from red to green.
Small children are usually the beggars, and one little boy impressed me very much. It was the last day of our trip, and we were on the way to the airport. At a street corner under an overpass, a boy of five or six was juggling three tennis balls. I was impressed with how well he did, how clever he was, and the hours he’d spent practicing to perfect his little routine. Compared to those who just stood on the corner with a plastic cup, he certainly earned the small coins he was given.
Our host told us that many of the city’s children spend their summers off from school panhandling on the street corners; once they realize they can make pretty good money doing it every day, they will often drop out of school to do that instead.
When talking about what we did while we were there, I’m once again filled with awe at the enormity of the need. In general, Mexico is a third-world country and we were well aware of this fact as we visited not only the remote mountain villages, but also the city of Fresnillo, which is the largest city in the state, and was our base of operations.
Our team’s contributions were a tiny drop in that huge bucket of financial need, and it made me feel very small. I wonder if they will remember the Gringos who came to make them animal balloons, give them a face painting, or sing songs to them from a puppet show.
On the one hand, we were all using the talents God gave us, even to the point of acting like monkeys to bring a smile to a child’s face. We participated in a half dozen Vacation Bible Schools, and tried to give the children something of their very own.. a little matchbox car, or a sucker, or a rubber bracelet. We also did some small things that were needful, like bringing bags of food, clothing, and school supplies. But our resources were limited, as was our time, and so I felt frustrated that I couldn’t do more, stay longer, and be of greater assistance.
The polymer clay classes were well-attended and people participated with enthusiasm. I have the overall desire to share with people the kinds of things that can be done with the clay, and how they can help with the family’s grocery budget by making clay things to sell at local markets, or just open a little stall outside their front door. But little did I know how important those classes were to be…
One of our hosts is a music minister at his church, and he is in the process of moving across the city next month, to start a new neighborhood church there. Once he makes that transition, he will no longer have an income, until his own congregation gets started. It’s a frightening prospect and he’s been spending a lot of time praying about how they were going to survive financially.
His wife is a talented young woman who makes jewelry, and she is wanting to open a bead shop. After she saw the potential that polymer clay would provide, and the interest people had in obtaining it, she has decided to start carrying clay supplies in her store when she opens it, and already has a list of customers who are wanting to purchase it. We’re hoping that between the help I can give her from the States and the potential customer base she has as a result of the classes, that she’ll be able to start supplementing their income right away.
There is so much more that could be said, but I think it’s time for pictures to do that. So I’m going to close this post with a slideshow from the trip.
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Fimo y Mexico
20 Jul 2010 6 Comments
in beads, church, classes / tutorials, Fimo
On Sunday we’ll be taking a dozen people from our church to help missionaries in the state of Zacatecas, which is in North-Central Mexico. It’s located on a high mountain plateau, about 8,000 feet above sea level. The state is known for it’s rich silver deposits and colonial architecture.
For the two weeks we’re there, we’ll be helping to build a room onto a church, create a portable puppet stage, help deliver a donation of food and small gifts, participate with their VBS, and teach beginner polymer clay classes.
I’m excited about it– it’s going to be the first time I’ll teach through an interpreter. I’m working on my notes for the class, and preparing about 30-45 minutes of actual instruction, for a class that will be approximately 90 minutes long.
The students will learn how to make round beads with cane slices, make barrel-shaped texture beads, and coin-shaped swirly beads. We’ll put them all together into a stretch bracelet for them to wear as a sample of the work they did.
We’re hoping to have as many as 60 people participate in the classes, with about 20 people per class. I’m working on the handouts for the instructions, and the interpreter will translate them for me. Is that cool, or what?
The goal for doing the class is to help people to discover the value of polymer clay as an artists’ and jewelry-maker’s medium, and to help supplement family budgets by making and selling their polymer clay artwork.
One of Zacatecas’ main economic supports is tourism. The capitol city of the state is also named Zacatecas (sort of like, New York, New York), which is a tourist destination and has many shops with local handicrafts. The organizer of the classes is planning to open a bead shop in the city, and we’re both hoping that she will find polymer clay to be a versatile and valuable addition to the handmade products she’ll be offering.
I’m looking forward to seeing polymer clay through their eyes. I imagine once the versatility of the medium catches their imaginations, they will begin exploring with it in ways I would never have thought of. And so we learn from each other. That’s my favorite part of teaching.














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